Tuesday, March 26, 2013


A reader pointed this series out to me and I'm rather shocked I hadn't heard of it yet. It plays like a lost episode of Taken as shot by Bill Roe. It's pretty powerful science fiction with a very oblique POV.
Bears repeated viewings as well....

Thursday, March 14, 2013

The REAL History of Saint Patrick's Day.

Well, break out the corned beef and beer- it's time for the wearing of the green and the nation-wide Bacchanalia that marks the Spring Equinox. And you know what else that means- it's also time to bust out the REAL history of Saint Patrick's Day...

March 17 is the day generally believed to be the death of St. Patrick, the British-born missionary who is credited with converting Ireland to Christianity. And as I wrote in one of my first posts on this blog:
In Egyptian mythology, Osiris was killed on the 17th day of Athyr, the third month of the ancient calendar.
3/17 is also the date of a Masonically-created holiday, St. Patrick’s Day. The story has it that the holiday was established by high level Freemason, George Washington, allegedly to reward Irish soldiers in the Continental Army.

But “St. Paddy’s” has traditionally been a very minor Saint’s day in Ireland. Considering that the day has become America’s defacto Bacchanal (which takes us back to Osiris) it’s worth noting some of the parallels of this day with Solar mythology.
• Osiris was believed to be the source of barley, which was used for brewing beer in Egypt.

• It’s customary to wear green on St. Patrick’s Day and Osiris was known as the “Green Man”

• The root word of Patrick is pater, the Latin word meaning father. Osiris is the father in the Egyptian Trinity.
Since then, I've been looking into the curious origin of this holiday and have found out some very interesting facts...

• This one's a shocker- St. Patrick's Day was originally celebrated by Protestant Loyalists in the British Army:
Their first meeting and dinner to honor St. Patrick was an expression of their Protestant faith as well as their intention to bond with fellow Irish émigrés. Their 1775 meeting included British soldiers of Irish extraction. All proceeded, or marched, to the King’s Chapel to hear a sermon devoted to the occasion, and then continued on to a dinner in King Street. British soldiers were still the big show of the first St. Patrick’s Day parade in New York City in 1762.

The first celebration in New York City was in 1756, at the Crown and Thistle tavern. Philadelphia held its first St. Patrick’s Day parade in 1771. General George Washington issued a proclamation during the Revolutionary War, declaring March 17, 1780 a holiday for the Continental Army, then stationed in Morristown, New Jersey, in honor of the many soldiers of Irish ancestry and those born in Ireland.

It was reported that this was the first holiday granted the troops in two years. Washington’s remark that the proclamation was “as an act of solidarity with the Irish in their fight for independence,” was possibly the origins of St. Patrick’s Day in America as an expression of Irish nationalism as much as Irish heritage or of honoring a Christian saint.
Since many lodges in Revolutionary-era America were chartered under the Grand Lodge of Ireland, I'm willing to bet those Irish soldiers were predominantly Freemasons (remember this is pre-Morgan Affair, when Freemasons were hardcore). To show how much a Masonic enterprise the American Revolution was, here's a list of the Freemasonic Generals in the Continental Army

Photo from Freemasons' Hall, 17 Molesworth Street, Dublin

Up until very recently, St. Patrick's Day was not a big deal in Ireland itself:
In modern-day Ireland, St. Patrick's Day has traditionally been a religious occasion. In fact, up until the 1970s, Irish laws mandated that pubs be closed on March 17. Beginning in 1995, however, the Irish government began a national campaign to use St. Patrick's Day as an opportunity to drive tourism and showcase Ireland to the rest of the world. Last year, close to one million people took part in Ireland 's St. Patrick's Festival in Dublin, a multi-day celebration featuring parades, concerts, outdoor theater productions, and fireworks shows.
Modern Saint Patrick's Day shares both a date and a mandate with a far, far older holiday:
St. Patrick's Day is also frequently a time for drinking. It used to be that this tradition was strung out for at least five days, the so-called seachtain na Gaeilage or "Irish week."

That may stem from Roman times, when March 17 started the festival of the Bacchanalia, a celebration to the deity Bacchus, to whom wine was sacred. In olden years long gone by, the Irish drank mead, made from fermented honey. You might do better today with a stout Guinness, preferably dyed green.

• The Bacchanalia are well-documented in the historical record:
The bacchanalia were wild and mystic festivals of the Roman and Greek god Bacchus. Introduced into Rome from lower Italy by way of Etruria (c. 200 BC), the bacchanalia were originally held in secret and only attended by women.

The festivals occurred on three days of the year in the grove of Simila near the Aventine Hill, on March 16 and March 17. Later, admission to the rites was extended to men and celebrations took place five times a month. According to Livy, the extension happened in an era when the leader of the Bacchus cult was Paculla Annia - though it is now believed that some men had participated before that.
• The Bacchanalia underwent an evolution from their early celebrations. From The Secret History of Rock ' Roll:
Historians today don’t put a lot of stock in Livy’s overheated accounts of the Bacchanalia, and generally write them off as politically motivated hysteria. His story of a massive cult that sprung up out of nowhere and took the country by storm is an historical fiction, meant to titliate his audience.
The Bacchic cult had been around -and been tolerated- for some time in Italy, and many believe that the witchhunt was whipped up more for political reasons than moral or criminal ones. But Romans were known to take their boozing and screwing to extremes the more sober Greeks would not, so it’s not hard to imagine these blow-outs getting out of hand.

 But since the most serious charge leveled against the Bacchanalia was of conspiracy against the Republic, it’s certainly possible the moral charges were simply propaganda meant to turn the people against the Mysteries. The fear among the elite was that “another people were about to arise” and supplant the existing order.

The greatest boogieman to the Roman aristocracy was the Demogogue, meaning anyone who could rally women, slaves and other non-citizens against the landowning families who controlled the Senate. Given the incredible socioconomic inequities even in the fabled Republic, rebellion was always a clear and present danger that could be whipped up at any time.
But contrary to Livy, the Bacchanalia weren’t prohibited and its shrines weren’t destroyed but rather tightly regulated and controlled by law. And though they never again reached the fever pitch of the Republican era, the Bacchanalia would be revived  by Julius Caesar and Mark Antony.

Renamed the Liberalia, the new Bacchic holiday would be a more family-oriented kind of street fair, with honey cakes and sweet meats replacing boozing and screwing. Various rituals and entertainments made it a very popular holiday. The boozing and screwing snuck back in along the way, but in a less scandalous fashion.

The Liberalia are still very much with us -  in fact, our modern version is celebrated on the very same day that the Romans did. In our modern version, people still march and drink and stuff themselves and play flutes and drums and all the rest of it.  We still pig out on beer, beef and cabbage, which dates back to the Osirian blowouts in Egypt...

Of course, Bacchus/Dionysus is just the Greco-Roman reinterpretation of Osiris. And drinking of beer was sacred to the followers of Osiris, the Green Man:
In Egypt, beer was regarded as food. In fact, the old Egyptian hieroglyph for "meal" was a compound of those for "bread" and "beer". This "bread-beer meal" plus a few onions and some dried fish was the standard diet of the common people along the Nile at the time. Beer came in eight different types in Egypt.

Most were made from barley, some from emmer, and many were flavored with ginger or honey. The best beers were brewed to a color as red as human blood. The Egyptians distinguished between the different beers by their alcoholic strength and dominant flavor.
None other than the god of the dead, Osiris, was hailed as the guardian of beer, because to him grain - both emmer and barley - were sacred.

The Egyptians believed that grain had sprung spontaneously from Osiris' mummy, as a gift to mankind and as a symbol of life after death. This was sufficient justification for the god-like pharaohs to turn brewing into a state monopoly and strictly license brewing rights to entrepreneurs and priests.

Many temples eventually opened their own breweries and pubs, all in the service of the gods. The port of Pelusium at the mouth of the Nile became a large brewing center, and trading in beer became big business.

• This admixture of Egyptian festivities, Irish nationalism and Freemasonry might seem outrageous to some, but in fact it was part and parcel of Celtic culture before the rise of the Roman Church. Namely in the...
... religion of the Druids, as before said, was the same as the religion of the ancient Egyptians. The priests of Egypt were the professors and teachers of science, and were styled priests of Heliopolis, that is, of the City of the Sun. The Druids in Europe, who were the same order of men, have their name from the Teutonic or ancient German language; the German being anciently called Teutones. The word Druid signifies a wise man. In Persia they were called Magi, which signifies the same thing.
St. Patrick himself was believed to have driven the Druids of out of Ireland, but in fact druidry was merely incorporated into Celtic Christianity, which was distinct from other varieties and would remain so until forcibly changed on orders from Rome.

• And it seems that the festival of the death of Osiris shares much in common with another holiday that the Irish brought to America:
This universal illumination of the houses on one night of the year suggests that the festival may have been a commemoration not merely of the dead Osiris but of the dead in general, in other words, that it may have been a night of All Souls.

For it is a widespread belief that the souls of the dead revisit their old homes on one night of the year; and on that solemn occasion people prepare for the reception of the ghosts by laying out food for them to eat, and lighting lamps to guide them on their dark road from and to the grave.

Herodotus, who briefly describes the festival, omits to mention its date, but we can determine it with some probability from other sources. Thus Plutarch tells us that Osiris was murdered on the seventeenth of the month Athyr, and that the Egyptians accordingly observed mournful rites for four days from the seventeenth of Athyr.

And what of the corned beef and cabbage?
In late antiquity the Apis bull was identified with Osiris. The Apis bull would be sacrificed and eaten in ritual feasts. Cabbage is grown in the winter months in Egypt and was used to control intoxication at feasts.

So it's official: all of our modern holidays in America are simply covert repackagings of ancient pagan festivals and the increasingly popular St. Patrick's Day is no different.

Astronaut means "star sailor", which Osiris was often depicted doing...

The Church took the Bacchanalia away from the Irish and replaced it with a boring religious holiday and the old-school Freemasons used that to bring the Bacchanalia back, which we now understand traces back to Osiris. And Osiris- who came from and returned to the stars- brings us back to the ancient astronauts, which the later adaptations like Bacchus do not.

Welcome to the New Atlantis.

Now keep this all a secret- I don't want you to be considered a "woo woo" (which is Skepdickish for "thought criminal") by the New Inquisition. The guardians of orthodoxy tend to get especially irritable when you tear them away from their disco fries and kiddiefap.

Tuesday, March 12, 2013

The End of the World and the Solar Satellite

While the College of Cardinals gathers to select the next Pope, I thought we'd take a sideways look at the action -and the Prophecy of the Popes- through the eyes of movie legend Christopher Lee. Mosey on over to the Solar Satellite and stay a spell.

Tuesday, March 05, 2013

The Secret Sun Oscars, Better Late than Never

Back in 2007 I started blogging about Jack Kirby in the context of synchro/data mysticism, and looking at the almost-unfathomable numinous power his work contained. The first series I did here looked at his 1983 miniseries Silver Star and its obvious influence on the then-popular/now-forgotten TV show Heroes.

But the series went far afield from there, looking at 9/11, the paranormal, dream symbolism and all the rest. Part 5 of the Silver Star series took an in-depth look at a very strange episode in which Kirby's art for a movie adaption of Robert Zelzany's Lord of Light (a bizarre episode in and of itself) was stolen by Hollywood makeup maestro- and part-time CIA spook- John Chambers, who was posthumously (and erroneously) credited with involvement in the so-called "Patterson Bigfoot film."

The following year I set out a lot of the groundwork for themes I would explore here including the Solar symbolism of the Oscars, the weird connection between Obama and Star Trek (and Star Trek's endless connections to the occult and weirdness undergrounds), the deep and layered symbolism behind Steven Soderbergh and James Cameron's Solaris (starring George Clooney) and the symbolism attached to Sirius that popped up during the election (including the spiral staircase).

At the same time I began the Silver Star series I also explored the rich Mystery symbolism at work in The X-Files, particularly in Season Eight.

Well, all of that seemed to come together in the most recent Academy Awards show. Note the very interesting symbolism of the stage motif, which pictures Oscar/Ausur as the rays of a circumpunct solar design, the circumpunct being identified with the binary system of Sirius. It almost seems as if there are planets orbiting the inner gold disk, which all looks suspiciously Sumerian to me.

Note the egg shapes emerging from this solar symbol, like some ritual depiction of directed panspermia. Plus, 16 Ausurs + 1 gold sun give us the prerequisite 17.

Charlize Theron (aka Charlize "Great" Therion, from this year's big sci-fi/AAT letdown Prometheus) danced in front of the DNA helix symbol spiral staircase, decked out in white and sporting a suitably androgynous crewcut. The spiral motif was also worked to the floor design as well.

Best Supporting Actress winner Anne Hathor's Way was in androgyne mode as well, but not even the most misogynistic Hollywood stylist could butch up Best Actress Guinevere Lawrence (though her glorious blonde tresses were pulled back, but that only served to show off her obviously Cherokee-lineated cheekbones).

Rounding out the actors was Christophe ("Anubis") Waltz and "Book of" Daniel Day Lewis, further proving Americans can't act (which we learned when The X-Files left Vancouver for LA).

Set MacFarlane played the villain (go figure), supplying the prerequisite Knowles' Law manufactured controversy, allowing all of this to go unnoticed.† The Trek portion of our program was supplied by Bill Shatner, portraying Captain Supplant the Roman Church. Appropriately enough, given all the shenanigans afoot at the Vatican lately.

The hilarity didn't stop there: Michele Obama prefigured her husband's Trek/Wars mashup by appearing as the Queen of Heaven on the Enterprise viewscreen, replete with Masonic square and compass symbolism (and more androgynes).

The cast of the year's highest grossing film The Avengers made a guest appearance, as a consolation prize for saving the entire film industry from bankruptcy. Kirby was paid tribute to as well, as luminous sketches of the characters appeared behind the cast. Appropriately so, given the film was the purest expression of his work ever seen outside of one of his comic books.


And of course the King ruled the night again when Argo- based on the aforementioned Lord of Light drama- won Best Picture. Michael Parks (star of Kevin Smith's Red State) briefly portrayed Kirby in the film, but his work was not featured, apparently due to licensing issues.

Aside from the Matrix-like 'Lady in Red' (a whole other story I won't get into here), we see frequent Secret Sun guest star George Clooney share the stage with writer Grant Heslov (who played a drug wizard on a pivotal X-Files ep from Season 8) and Argo star-director Ben Affleck.

Bonus sync: I was shown dailies of Affleck's star-making Good Will Hunting up at the old View Askew office when I was working on a script, since Kevin Smith was one of the producers of the film.


Interesting to note that Kirby's self-described "mystical" series The Eternals (aka Return of the Gods) repeatedly popped up in spirit this Oscars, linked through Theron and Prometheus, The Avengers and his very Eternals-derived work for the Lord of Light pitch.

This could be a very interesting year indeed.

† The self-appointed "Illuminati" (sic) fighters were doing their usual bit; looking for the  usual "Monarch" symbols (sic) originally inspired by the sexual neuroses of a troubled English schoolboy and taken to the bank by an elite, Fortune 500-sponsored PR firm out of Montreal who made their mark by creating pseudo-outrage for singers and rappers recording for gigantic multinationals.