Interlude: Sirius Rising




Click here if you're at all lost.

The first thing I'd like to do here is reframe this narrative. The prism we should see this through is that of the story of the theme song to what was at one time the most watched television show in the world, namely House MD.


And subsequently we're also looking at the backstory of a music video that's gotten over 48 million views on YouTube. Those are Beyonce numbers. 


So rather than try to figure out why this incredibly strange and impossible chain of events has focused on a couple singers most people have never heard of, let's approach it all under that context. 


This is a story tens of millions of people have been exposed to without realizing what it is they're hearing.

I'd also like to let it be known that this isn't a story that ended twenty years ago. As we've seen Chris Cornell- whose death continues to make headlines- somehow found himself wound up in all this, both through his close relationship with Jeff Buckley but also through his unlikely connection to the mythos we're unfolding here.


And into the midst of it all comes the announcement that Elizabeth Fraser is appearing at Royal Albert Hall in July:

John Grant will chat to Cocteau Twins vocalist Elizabeth Fraser about her iconic indie group’s 1988 album, Blue Bell Knoll, with all proceeds from the show going to gay rights charity Stonewall. 
The event on Sunday 23 July is a rare chance to see Fraser talk about her distinctive, indelible music, which influenced an entire generation of performers, including Grant, with his exquisite electro-balladeering.

I really don't know where to start. I couldn't possibly make up an event more symbolically loaded. Is someone actually fucking with me here?

Where to begin? Let's try this, from the must-read VISUP site.
(Robert Anton) Wilson is primarily responsible for bringing the 23 enigma to public attention. Wilson in turn partly became obsessed with the number 23 after supposedly receiving telepathic messages from an alien race based upon Sirius after performing a Crowley-inspired ritual on July 22, 1973. The next morning he found a peculiar message in his 'magickal diary' stating "Sirius is very important." This led Wilson to doing some research. 
"The Skeptic went to town and browsed in the public library. Imagine my state of mind when I discovered that this very day, July 23, when I had received the message 'Sirius is very important,' is the day when, according to Egyptian tradition, the occult link (through hyperspace?) is most powerful between Earth and Sirius. 
"Celebrations of the Dog Star, Sirius, beginning on July 23, are the origin of the expression 'dog days,' meaning the days from July 23 to September 8, when the last rituals to Sirius were performed."- The Cosmic Trigger Volume I, pg. 87 
What Wilson is referring to is the heliacal rising of Sirius, often associated with July 23:
The heliacal rising: the first visible, though brief, appearance of a star on the eastern horizon before sunrise. On the previous morning, sunlight made the star invisible.  
Sirius is also identified with Isis, who plays a major role in our story here:
As the star Sopdet (Sirius (in Greek Sothis)), she heralds the life-giving inundation. 
July 23rd has also been connected with the Ancient Egyptian New Year:
Ancient Egyptian culture was closely tied to the Nile River, and it appears their New Year corresponded with its annual flood. According the Roman writer Censorinus, the Egyptian New Year was predicted when Sirius—the brightest star in the night sky—first became visible after a 70-day absence. 
July 23rd is also identified with Our Sweetheart, the Drunk:
This massive party was tied to the myth of Sekhmet, a war goddess who had planned to kill all of humanity until the sun god Ra tricked her into drinking herself unconscious.  
Which turned her into the love goddess Hathor. And then there's this little detail here: 
In ancient Egypt, the helical rising of Sirius coincided with the annual rising of the Nile at Memphis.
Wait: did they say Memphis? I thought so.

Elizabeth Fraser last appeared at Royal Albert Hall with the Cocteau Twins, touring the Milk and Kisses album, which included a number of songs written about Jeff Buckley.




Blue Bell Knoll is a luscious album, the musical equivalent of having warm honey dripped on your head while you're taking a milk bath on really good drugs, but its title has a darker meaning:
In folklore, the flowers assist mortals in seeing fairies or seeing into their reality, but were regarded by some as unlucky because they could also reveal or even attract malign spirits, including the Devil himself... They are also called Dead Men's or Dead Man's Bells, because hearing the bells ringing is an omen of death.  
Remembering the line from Song to the Siren, "Did I dream you dreamed about me? Were you hare when I was fox?", note that bluebells are also known as harebells:
Campanula rotundifolia is associated with the fairies and with witches...The name Harebells may also allude to a folk belief that witches used juices squeezed from this flower to transform themselves into hares. 
And hey- milk again.
These juices lent the flower another Scottish folk name, "Milk-ort" (milk herb).
More importantly, the bluebell also connects to the central conceit of our story- the seemingly inexplicable symbolic overkill connected to the ancient myth of the goddess (variously associated with sex, war, music and the Moon) and her shepherd-boy consort.

Shepherd-boy being the literal translation of Buckley.


As it happens milk plays a very major role in that ur-myth as well. From the first known telling of the story, The Courtship of Inanna and Dumuzi:

  Make your milk sweet and thick, my bridegroom / My shepherd, I will drink your fresh milk / Wild bull Dumuzi, make your milk sweet and thick/ I will drink your fresh milk.
Elizabeth Fraser's dedication on Milk and Kisses plows the same metaphorical furrow.

 "Milk and kisses for the first man / my old man / love and a thousandfold rose for Buckley /my Rilkean-Hearted friend."
(We're going to return to The Courtship of Inanna and Dumuzi again, in a big, bad way).

The bluebell has also been named for Endymion, the young shepherd consort of the goddess Selene, who fell in love with and put under a spell of eternal sleep so that she alone might enjoy his beauty. Selene was also known as Phoebe and one of the key tracks on Blue Bell Knoll is "For Phoebe, Still a Baby."



So I suppose it's only appropriate that this is being held at Royal Albert Hall, named in honor of Prince Albert, formally known as Albert, Prince Consort. 

And here were have another goddess-consort sad story. 

Albert was husband of Queen Victoria, herself named after the Roman goddess of victory. And for those of you who don't know the rest:
Albert died at the relatively young age of 42, plunging the Queen into a period of deep mourning in which she rarely appeared before her subjects.
 CARNIVAL OF LIFE AND DEATH

We saw that that Jeff Buckley drowned on the evening of the Carnival Memphis. As it happens it seems that he and Fraser began their courtship on the eve of the original Carnival...


This would be the night of March 4th, when both Buckley and the Cocteau Twins were playing in Atlanta. Significantly, the Twins performed "Road, River, and Rail" that night.

Simon Raymonde of The Cocteau Twins remembers Jeff being introduced to them as Tim Buckley's son while they were touring America in 1991.

Road, River and Rail is 3:17
3/17 is the day of Osiris' drowning

OK, I thought I heard that Buckley met them before 1994 but I couldn't find any corroboration online for that so I thought I had imagined it. If that is indeed true it makes the prophecies on 1990's Heaven or Las Vegas even creepier because that was the album they were touring then (and the only significant omen after that is the insanely-disturbing post-breakup Rilkean Dreams). 

Continuing:
Having recorded an ineffably beautiful version of Tim's ‘Song For The Siren’ (as This Mortal Coil) they were pleased to meet the young man, who was in turn awestruck by their music, especially the spectral voice of Elizabeth Fraser. Three years later it was their turn to see him perform. Simon and Liz went together to a small bar in Atlanta. "It was just Jeff and his little Fender guitar and amp. He sang for two hours and he knocked me sideways. Liz and I spent some time with him over the next few days."
It's likely that Fraser connected (or reconnected) with Buckley on what is technically March 5th, since the Twins had their own concert to do the night of the 4th. But what is the significance of March 5th? 


It's sacred to Isis. Very sacred, in fact:
Ididis Navigium, or alternatively Navigium Isidis, means Vessel of Isis. The festival gets its name from the main offering to Isis. In Apuleius’ Metamorphosis he describes the grand procession of worshippers from the temple of Isis to the harbor. 
Harbor. And the connection to Carnival? 
Modern carnival resembles the festival of the Navigium Isidis, and some scholars argue that they share the same origin (via carrus navalis, meaning naval wagon, i.e. float – later becoming car-nival). 
Reminding us again the Carnival Memphis is centered around Ancient Egyptian symbolism:
The twelve Grand Krewes that Carnival Memphis recognizes are the Mystic Society of the Memphi, Osiris, Sphinx, RaMet, Ennead, Phoenix, Aani, Ptolemy, Kemet Jubilee, Ptah, Luxor, Queen Bee...The Grand Krewes of Memphi, Osiris, RaMet and Sphinx are "old-line" Grand Krewes and were all started in the 1930s as the original secret societies of the Memphis Cotton Carnival.
And let's remember this Carnival centers of the appointment of the new Queen Isis and King Osiris:
Our Queen Isis has always been known for her beauty and membership in a prominent family. She wears the Ring of Isis, engraved with her hieroglyphic symbol. 
The identity of King Osiris is revealed at the Banquet of Past Kings. He and all Past Osiris Kings wear the King’s Medallion on a scarlet and white ribbon at all Osiris and Carnival events.
And this: 
Many elements of Carnival were in turn appropriated in the Corpus Christi festival, most prominently in the Iberian Peninsula (Spain and Portugal). 
Jeff Buckley recorded "The Corpus Christi Carol" on his first album.

Then there's this: 

Thus Plutarch tells us that Osiris was murdered on the seventeenth of the month Athyr, and that the Egyptians accordingly observed mournful rites for four days from the seventeenth of Athyr. Now in the Alexandrian calendar, which Plutarch used, these four days corresponded to the thirteenth, fourteenth, fifteenth, and sixteenth of November, and this date answers exactly to the other indications given by Plutarch, who says that at the time of the festival the Nile was sinking, the north winds dying away, the nights lengthening, and the leaves falling from the trees.
Which would mean, according to this reckoning, that the "Lamentations of Isis and Nephthys" took place either on or right before November 17. Why is this significant?
Jeffrey Scott Buckley (November 17, 1966 – May 29, 1997), raised as Scott Moorhead, was an American singer-songwriter and guitarist. 

Next we'll take a closer look at the prophecies involved and why they might have gotten some unwanted attention.


TO BE CONTINUED


UPDATE: Darren reminds of that famous Beatles song that namedrops Albert Hall and also  tells us of another doomed young prince, Tara Browne, dead exactly a month after Jeff Buckley was born. More 17s:

On 17 December 1966, Browne was driving with his girlfriend, model Suki Potier, in his Lotus Elan through South Kensington at high speed (some reports suggesting in excess of 106 mph/170 km/h).[2] He was not under the influence of drugs or alcohol at the time. Browne failed to see a traffic light and proceeded through the junction of Redcliffe Square and Redcliffe Gardens, colliding with a parked lorry. He died of his injuries the following day. Potier claimed that Browne swerved the car to absorb the impact of the crash to save her life.


"A Day in the Life"
On 17 January 1967 John Lennon, a friend of Browne's, was composing music at his piano whilst idly reading London's Daily Mail and happened upon the news of the coroner's verdict into Browne's death. He worked the story into the song "A Day in the Life", which was later released on the album Sgt. Pepper's Lonely Hearts Club Band. 

John Lennon's "Good Morning Good Morning" was the first song you heard on the last episode of The Monkees. "Song of the Siren" was its swansong.

Interlude: Swan Song, or In My Time of Dying



A weird little coincidence struck me yesterday.

As we've seen, the last songs Jeff Buckley and Chris Cornell sang were songs most commonly associated with Led Zeppelin.
Cornell’s “sudden and unexpected” death right in the middle of Soundgarden’s U.S. tour that kicked off only last month is compounded only by the fact that his death was ruled a suicide, and while the 52-year-old musician outwardly showed no signs of depression or suicidal tendencies, the final song from last night’s sold out show at Detroit’s Fox Theatre: a cover of Led Zeppelin’s “In My Time of Dying”. 
And this: 
When Buckley entered the water from the trash-strewn bank, he was wearing jeans, a T-shirt and boots. He turned, grinning back at Foti, as he drifted in backward. When he was about knee deep, Foti remembers cautioning him: "You can't swim in that water." As Buckley continued, Foti repeated his caution: "What are you doing, man?" But Buckley smilingly reclined into the slate-gray water, singing the chorus of Led Zeppelin's "Whole Lotta Love" as he backstroked into the channel.
In 1974, Led Zeppelin started their own record label called Swan Song. 

The term swan song comes from an ancient belief that swans will sing a beautiful song just before they are about to die. 

Now we're treading into dangerous waters here, no pun intended. There's a temptation to cast too wide a net in search of symbolic connections, which, as they pile up, can tend to have a numbing effect. Plus, ancient mythology is so enormous that you could probably dig out a connection for whatever you like if you're not rigorous about it.

And there's still the open question as to why we would see so much symbolism and prophecy - practically to the point of overkill - attached to what most people might see as an historical footnote.  

So let's then establish that we're specifically looking here at the "swan songs," the very last performances by the people in question.




So with that in mind let's look at the very last line of the last verse of the last song on the last Cocteau Twins album- or if you prefer, their swan song. The song is "Seekers Who Are Lovers" and the line goes like this: 


"So send Lucifer into Hell."

The song is- you guessed it- yet another of Elizabeth Fraser's love letters to Jeff Buckley*, in this case a little note explicitly reminding him how amazing she thought the sex was.  Which is probably why nearly all of her performances of the song were extremely passionate, in her very strange way.

Then there's this :
Love, on the tip of it/ The old river's lack of other sweet sex†/ So sweet/You are a woman just as you are a man
The last line there corresponds to Buckley's self-identification of a "chanteuse with a penis," a reference to his interpretations of torch songs by singers like Billie Holiday and Edith Piaf. Which, of course, it's also entirely compatible with his role as a postmodern incarnation of Attis. 

And then there's that "river" reference again.

This in turn then corresponds to the more recent death of one of Buckley's closest friends (and posthumous spoeksman) just a few minutes away from Belle Isle on the Detroit River, which is itself closely associated with a Native American variant of the Siren myth.

Note also the connection of these fertility gods we've been looking at to rivers:
Adonis sprang from a tree; the body of Osiris was concealed in a tree which grew round the sea-drifted chest in which he was concealed. Diarmid concealed himself in a tree when pursued by Finn. The blood of Tammuz, Osiris, and Adonis reddened the swollen rivers which fertilized the soil.
But there's another connection between these ancient fertility gods and Lucifer; all of them were sent into the Underworld.  

And the way to the Underworld was traditionally the River Styx.

CHILDREN OF THE CORN(ELL)

Bearing in mind that Buckley died on the eve of an explicit Osiris ritual in Memphis, remember that the consort of Osris (who drowned in the Nile River) is Isis, whom "The Greeks conceived of (her) as a corn-goddess, for they identified her with Demeter. In a Greek epigram she is described as 'she who has given birth to the fruits of the earth,” and “the mother of the ears of corn.'” 

Similarly, Attis was identified closely with corn:
  Like tree-spirits in general, Attis was apparently thought to wield power over the fruits of the earth or even to be identical with the corn. One of his epithets was “very fruitful”: he was addressed as the “reaped green (or yellow) ear of corn”; and the story of his sufferings, death, and resurrection was interpreted as the ripe grain wounded by the reaper, buried in the granary, and coming to life again when it is sown in the ground
Corn-- and subsequently Cornell-- both derive from the Latin cornu, meaning "horn."

The closest Egyptian analog to goddesses like Isthar and Aphrodite is actually Hathor, whom Isis would eventually syncretize with, and who was commonly depicted as wearing horns. She has an interesting origin story: 
In the Story of Re, she was created by her father Re as "Sekhmet" as a destroyer of men, who were disobedient to him. Later Re changed his mind, but even he could not stop her from killing men. He then disguised beer as blood and when Sekhmet became drunk, she could no longer kill and was known thereafter as Hathor, a goddess of love.
Jeff Buckley's eventual swan song- which Chris Cornell was closely involved in producing- was the collection Sketches for My Sweetheart the Drunk.  It included the song "Morning Theft", commonly assumed to be a documentation of Buckley's reunion with Fraser sometime around the recording of 'All Flowers in Time Bend Toward the Sun'.


LUCIFER FALLING



There's been an ongoing controversy over the Swan Song label, which depicts an angel or winged man in the throes of death. One side of the debate claims it's a depiction of Icarus and others claim it's actually paying homage to Lucifer, and that the image is a depiction of his fall from Heaven. 

The painting is in fact an adaptation of a sketch by 19th century painter William Rimmer entitied "Evening, the Fall of Day." Some have argued that the image is a depiction of Apollo, but we don't see the chariot here which was associated with him when he absorbed the aspects of the Titan Helios.



So I think the Lucifer interpretation is probably closest to the mark. "The Fall of Day" is most probably a reference to Phosphoros the daystar, whose name is the Greek equivalent of Lucifer. Note that Jimmy Page had recently recorded the Lucifer Rising and later used a similar image for the release of the soundtrack.

Plus, Jimmy Page. 

What we also need to remember here is that Led Zeppelin's first use of the Swan Song logo was on the first side of the first disk of Physical Graffiti. And the last song on that side is Chris Cornell's swan song,  'In My Time of Dying'. 

The album also has a strong link to Jeff Buckley:
"When I was 12, I decided to become a musician," Buckley says. "Physical Graffiti was the first album I ever owned. My stepfather [who lived with Buckley's mother from 1971 to 1973] bought that for me."

But wait! There's more: Swans were closely associated with the love goddeses of the ancient world, particularly Aphrodite. 

As we saw, Elizabeth Fraser- in what seems to be her only foray into cosplay ever-  explicitly portrayed herself as a rising Aphrodite in the video for 'Bluebeard'.

That single was released in February 1994. Fraser and Buckley met in March. At the time Fraser was in the midst of an ongoing personal crisis and seemed to experience a meltdown when the band performed 'Bluebeard' on The Tonight Show, going into full-WTF alien mode.

That meltdown was taped the same day Chris Cornell's friend Kurt Cobain died, which was called a suicide at the time.

And just to throw out another creepy death omen, Jeff Buckley would have a fling with Cobain's widow shortly before he died.

ALL FLOWERS

Lucifer also links us to another prophecy we recently looked at- Fraser's retelling of the myth of Narcissus and Echo, "Mud and Dark" (again, Jeff Buckley was swimming near Mud Island in the dark when he drowned). From The Aeon Eye blog:
Like Icarus, the archangel Lucifer is said to have fallen because of his pride and vanity over his own beauty and power, much like the myth of Narcissus. This supreme spirit of evil who was once radiant, but who because of his sin of pride fell from heaven into darkness and became Satan, saying: “Non serviam: I will not serve,” and thus brought upon himself the everlasting wrath of God.  
There's also a strain of the Narcissus daffodil called "Lucifer." 

And there's a Daffodil Hill in Memphis.

The mind reels.



TO BE CONTINUED



NOTE: It's also important to remember that Icarus- whose sin was disobedience- actually died by drowning.

The lyric "His poor essence" may in fact be "His Pur Essence," a reference to the fact the Fraser may have realized that she seemed to call Buckley by his given name - Scott Moorhead- in "Summerhead" (read:"S.Moorhead") in between the songs "Essence" and "Pur" on Four Calendar Cafe. 

That album was recorded while Buckley was still doing club gigs in tiny dive bars in Manhattan. They wouldn't meet for at least another year.

† Erroneously listed as "sweet scents" on some lyric sites.

Deeper Than You Could Ever Know, or The Eternal Psychodrama




The rabbit keeps digging. And digging. How far are you ready to go down?

I first began to follow this story when I heard about the drowning death of Jeff Buckley. I'm not sure why but the first thought that came into my head was that it had something to do with Elizabeth Fraser. 

I had no idea that all of this had been prophesied for years and years before, in ways that actually give me chills.

I had no idea that this was all closely following a very ancient script, for reasons I can't begin to wrap my head around. The symbolism is almost shockingly unambiguous, as we'll soon see.

I had no idea that a tragedy involving Chris Cornell, Jeff Buckley's close friend and posthumous spokesman, would take place on the banks of another river almost exactly 20 years later, a tragedy that seemed to follow a remarkably similar mythic script. And a tragedy that would seize the attention of millions all around the world.


And I most certainly had no idea twenty years ago that at the very same time police divers were scouring the muddy waters of the Wolf River Lagoon for Jeff Buckley's corpse a well-publicized reenactment of a mystery religion based on the drowning death of a revered ancient Egyptian god was being undertaken by an elite "secret society" just a few blocks away.

Yeah. That happened.

I'm still having trouble wrapping my head around that one too.

WHY AND WHAT FOR?

A reader asked a highly pertinent and perceptive question in the comments section of the previous post. It cuts to the heart of this extraordinarily unlikely mystery we're trying to crack here.
The thing that I keep asking is "why?" Why would spirits reenact this little passion play at all? Why with this small handful of singers and songwriters? It seems like a lot of effort, a lot of autistic attention to trivial details few would even notice - so where's the actual payoff for the Good Folk's effort? The only thing I can think up is that all the world's a play to them, but the dramatis personnae onstage never see more than a few glimpses of their lines before it's time for them to be spoken.
Why indeed? We're not talking about show biz superstars here, we're not talking about Benifer or Brangelina,  we're talking about two cult performers who never broke into the mainstream. 

We're talking about two very vulnerable souls whose supernatural gifts were balanced out by their struggles with their troubled upbringings and mental illness. But at the same time we're talking about two performers who could count the highest echelon of the music biz elite in their circle of apostles.

And we're talking about a love story whose tragic end was prophesied in a song that has garnered a staggering 48 million views on YouTube. Those people may not realize it but they've soaked all this in.

Which only makes sense because what we're actually seeing is a ritualistic reenactment of one of history's oldest love stories.


It's becoming increasingly well-known on the Internet that this song is about Jeff Buckley, though I think most people tend to underestimate how deep Fraser's obsession with the man really was. I don't think she ever got over it.

Buckley idolized Fraser, studied her, imitated her (the first time I heard Jeff Buckley- knowing nothing about him- I said to myself, "this guy sure sounds like he listens to a lot of Cocteau Twins records"). But when they met Fraser was in the middle of a serious- and painfully public- mental health crisis that would find her hospitalized twice within a year. 

Buckley brought color and excitement back into her life but he had far too many groupies chasing him to stay with an older woman who brought a lot of emotional baggage in tow. Plus, his star was rising and her band was in the process of winding down their long run.

The Wikipedia entry recites the almost-unimaginably eerie fact that Fraser was recording this song while the man about whom she was singing was dying on the other side of the world, but omits the fact that they were lovers:
Fraser wrote the song's lyrics. While recording the song on 29 May 1997, she found out that her once-close friend, Jeff Buckley, had drowned. "That was so weird ... I'd got letters out and I was thinking about him. That song's kind of about him – that's how it feels to me anyway." 
And what most people tend to overlook is that not only is she singing about Buckley- yet again- she is also unconsciously prophesying his death. Yet again:

Night, night of matter (?)
Black flowers blossom
Fearless on my breath
Black flowers blossom
Fearless on my breath
Teardrop on the fire
Fearless on my breath

I have a problem with this interpretation of the lyrics. As far as I can tell what Fraser is actually singing is "Night, night of murder" not "matter." Which makes a lot more sense when followed by "black flowers blossom." 

Why?

Because black flowers have traditionally been associated with death and mourning:
The color black has always been synonymous with death and mourning. It is thus the color of sadness and farewell. So, many people consider black roses to symbolize bereavement, loss and mortality. They are often used at funerals. 
And then there's this couplet, which connects us to a constellation of ancient goddesses whose dramas all center on lost loves ( and one of whose incarnations is known as "the first mermaid").


Water is my eye
Most faithful mirror

OVER AND OVER AND OVER AGAIN


Some of Fraser's most extraordinary vocal performances come when she is channeling the dramas of ancient mythologies. This of course includes the Siren but also Lorelei, Echo, Pandora (not just once but twice), Persephone and Coatlicue.

She was, after all, "the Voice of God."

But there's one particular story that she seemed to embody and that's the story of the goddess who fell in love with the young shepherd boy. It seemed to start in an oblique and incidental way:
The Cocteaux released Moon and the Melodies in late 1986, which featured 'Sea, Swallow Me' and 'She Will Destroy You', among others. Then they released Blue Bell Knoll, which again is a reference to an old folk belief about a death omen. The bluebell is also known as Endymion non-scriptus. 
Endymion is yet another doomed mortal whom a goddess fell in love with: 
 Wandering farther afield from the British Isles, the bluebell is associated with the shepherd boy Endymion.  The moon goddess, variously called Seline or Diana, fell in love with him and cast an eternal sleep on him so that she could enjoy his beauty alone, forever.
One of the key cuts on Blue Bell Knoll is 'For Phoebe Still a Baby'. Phoebe is another name for Selene.  
This story goes back to the very cradle of civilization:
In Babylonia, the month Tammuz was established in honor of the eponymous god Tammuz, who originated as a Sumerian shepherd-god, Dumuzid or Dumuzi, the consort of Inanna and, in his Akkadian form, the parallel consort of Ishtar.
Inanna and Dumuzi also seem to be the stars of one of the earliest known tellings of the Descent into the Underworld, where Inanna traveled to retrieve the soul of her lost shepherd-boy consort. This story would be told over and over again.

This story was retold in Phrygia as the myth of Cybele and Attis (note see Tracy Twyman's dissertation of this myth at her blog):
Cybele loved the beautiful shepherd, and made him her own priest on condition that he should preserve his chastity inviolate. Atys broke the covenant with a nymph, the daughter of the river-god Sangarius, and was thrown by the goddess into a state of madness, in which he unmanned himself. 
This story was told in the pages of Sir James Frazer's Golden Bough, a book Elizabeth Fraser certainly seemed to have read. A variant on the story has the hermaphroditic Agdistis in place of Cybele. Strangely enough this version also correlates to the Fraser-Buckley drama, given the Cocteau Twins' singer's own innate androgyny. As the singer explained in 1995:
"I was very worried about being unattractive because I think I look quite masculine. Sometimes I feel more masculine than feminine and I don't like it. I mean, you've got a person who is in recovery from incest surrounded by men. I've never had a highly developed sense of being female."
Fraser would refer obliquely to Cybele in one of her many songs focused around moths and butterflies, 'Great Spangled Fritilary', a butterfly whose scientific name is S Cybele.

The Greeks retold the love-goddess and shepherd-boy story as that of Aphrodite and the shepherd-boy Adonis:
(Both) Aphrodite and Persephone, goddess of fertility and death, love Adonis, a beautiful young man. Adonis is killed by a wild boar while he is on the hunt: Aphrodite begs Zeus to restore him to life, but Persephone also demands that he be brought back to life for her sake. Zeus settles the dispute by resurrecting Adonis, but commands him to live six months in the upper world with Aphrodite and six months in the lower world with Persephone.

And sure enough, just before she would meet Jeff Buckley, Elizabeth Fraser would be depicted rising from a scallop shell like Aphrodite in the music video for 'Bluebeard'. 

The Syrian version of this archetype, widely believed to be the original incarnation of Aphrodite herself, who takes us right back to the world of sirens and mermaids. The very first mermaid, or so the story goes:
Atargatis was in love with a human shepherd but accidentally killed him.  Out of guilt, the goddess flung herself into the ocean hoping to become a fish.  But her beauty was so great, that she never could fully become a fish.  Instead she became half goddess, half fish, with a tail below the waist and human body above the waist.   

BEFORE WE GO ANY FURTHER...

...let's play the Name Game. You see this little mythology primer here isn't just for the giggles and grins, it cuts right to the core of the very strange daisy-chain of synchronicity we are trying to untangle.

Because Jeff Buckley's very surname means "shepherd boy."
Ó Buachalla, taken from the Irish word 'buachaill' originally meaning 'herdsman' (in modern Irish it has come to mean 'boy'), was anglcised early as Ó Boughelly, Boughla, Buhilly and later as Buckley. 
So you see I'm not exaggerating when I claim that what we're seeing here is a very ancient psychodrama that chose to play itself out in real time. I mean it literally. Do you understand me now?

And what about Liz Fraser? Well, given the Egyptian origin of the Biblical name (the first Elizabeth was connected to Moses and Aaron, both of which are native Egyptian names) I will go to my grave believing that in fact it comes from Eloah-Esi-Beth, or "Temple of the Goddess Isis." We'll get to Isis shortly.

But first the Fraser name, which ties into Knights Templar history, of all things:
The Frasers are believed to have come from Anjou in France. The name Fraser may be derived from Fredarius, Fresel or Freseau. Another suggestion is that the Frasers were a tribe in Roman Gaul, whose badge was a strawberry plant (fraisier in French). 
Might come from "fraisier." Gee, you think? 

But what's the significance of strawberries in this tale here? Well, it ties right back into the lineage of the same goddesses we're looking at. In this case the Syro-Roman variant:
The strawberry was a symbol for Venus, the Goddess of Love, because of its heart shapes and red color.
In a connection that will take on greater significance when we get to the next chapter of this drama, it so happens that Venus had a very Roswell kind of origin story:
In another story, told by Hyginus, an egg fell from the sky into the Euphrates, was rolled onto land by fish, doves settled on it and hatched it, and Venus, known as the Syrian goddess, came forth
Yeah, we're going there. But don't worry- it's baked right into the cake.


Yeah, those eyes. I know.

But of course the big kahuna of love-goddess and doomed shepherd myths is that of Isis and Osiris. In the best-known telling of the tale, Osiris' first death comes when he is drowned in the Nile inside his sarcophagus:
In some cases the texts suggest that Set takes the form of a wild animal, such as a crocodile or bull, to slay Osiris; in others they imply that Osiris's corpse is thrown in the water or that he is drowned. This latter tradition is the origin of the Egyptian belief that people who had drowned in the Nile were sacred.
And just to establish his shepherd cred:
 He also carries the crook and flail. The crook is thought to represent Osiris as a shepherd god. The symbolism of the flail is more uncertain with shepherds whip, fly-whisk, or association with the god Andjety of the ninth nome of Lower Egypt proposed.[12]
And as the fathomless enigmas of fate would have it, one of the foundation texts for the Isis-Osiris myth takes us back to- you guessed it- Memphis:
Another important source is the Memphite Theology, a religious narrative that includes an account of Osiris's death as well as the resolution of the dispute between Horus and Set. This narrative associates the kingship that Osiris and Horus represent with Ptah, the creator deity of Memphis. 
Quoting directly from the Memphite Theology, we have this:
Isis and Nepthys without delay, for Osiris had drowned in his water. Isis [and Nephthys] looked out, [beheld him and attended to him].  
OK, we have a river, a drowning and a Memphis. Can I shoehorn a wolf into this little catty-corner?

Oh, yes I can:
In the beginning, Osiris was associated mostly with agriculture. This cult spread rapidly into Upper Egypt, and soon Osiris became identified with the funeral god, Abydos, Khenti-Amentiu, who was symbolized by the wolf.  
But then we get thrown right down the crazy-stairs...

Oh, the eyes. Interesting.

While police divers were still dragging the Wolf River Harbor for Jeff Buckley's body, just a few blocks east the Grand Krewe of Osiris was enjoying the Carnival Memphis, kicking off at the Crosstown Concourse:
The Carnival Memphis Association organizes, plans, budgets, and promotes the King, Queen, and Royal Court, as well as many of the events staged during Carnival week. However, the Grand Krewes (once known as secret societies) also stage their own festivities throughout the year, elect their own royalty, manage their own budget, and have their own membership requirements.  
Most of these organizations bear Egyptian names in accordance to tradition originally set out by the Mystic Memphi, and in conjunction with Memphis being the sister city of ancient Memphis, Egypt. The twelve Grand Krewes that Carnival Memphis recognizes are the Mystic Society of the Memphi, Osiris, Sphinx, RaMet, Ennead, Phoenix, Aani, Ptolemy, Kemet Jubilee, Ptah, Luxor, Queen Bees.  
The Carnival kicks off the first weekend following Memorial Day. 

But what exactly is the Grand Krewe of Osiris? Well, besides the hosts of osirismemphis.com, that is?
Osiris was founded in 1934 as a Mystic Secret Society. Osiris membership has always consisted of top professional and business leaders. 
The Great Eye, the hieroglyphic symbol of Osiris for thousands of years, continues looking intently forward to the future of great city of Memphis, on the American Nile.
The Great Eye? You mean the one glowing in the middle of that giant pyramid you got there? The one on the shore of the Wolf River Lagoon? OK. Thanks.

Good, clean Masonic fun

And what exactly do their ceremonies entail?
The ceremonies were mysterious and symbolic, but the most common feature was the procession of Queen Isis in her carriage, far beyond the precincts of her temple on occasions to other towns. 
These occasions were passed amid great rejoicing, music, dancing, and feasting which formed important parts of the festival rites. 
The feast was held within lofty walls, with an entrance between immense pylons inscribed with hieroglyphs. 
Those called to join celebrated the regeneration of the land, the renewal of friendships, and the hopes for a productive and joyful year!

Is it just me or does this sound like something straight out of Summerisle? And how exactly do these ceremonies climax?
Our Queen Isis has always been known for her beauty and membership in a prominent family. She wears the Ring of Isis, engraved with her hieroglyphic symbol. 
The identity of King Osiris is revealed at the Banquet of Past Kings. He and all Past Osiris Kings wear the King’s Medallion on a scarlet and white ribbon at all Osiris and Carnival events.
OK, now I'm sure this is all fun and harmless and zany (totally Masonic) fun for the Memphite upper crust. But that doesn't matter in the context of ritual, especially the kind of ritual that goes beyond ritual. 

Because all this was going on while Jeff Buckley's body was floating a few blocks away in the Wolf River in the same exact way Osiris' body floated in the Nile.


You know Osiris-- the star-sailor. 



I said the Starsailor.

But again, the point is that happened. That actually happened. A bunch of drunk lawyers, doctors and their wives were playacting the mysteries of Isis and Osiris while an aspiring rock superstar was actually playing the part of Osiris in a ritual who I can't begin to imagine who -or more accurately, what -- was staging.

I mean, I never heard of this Carnival until a few hours ago. Have you?


What are the odds Elizabeth Fraser knew about any of this while she was writing songs that prophesy how a man she wouldn't meet for another 12 years would die? 

Somewhere between slim, zip and fuckall I'd wager.

But stay tuned because this story is about to take a very dark and sinister turn, taking us into the world of elite UFO cultists, the Tower of Babel, demons of the air, World War Three, and a prophecy of the most momentous event of our times.

I wish I were kidding.



TO BE CONTINUED