George Orwell once said, "to see what is in front of one's nose needs a constant struggle."
Trying to discern what an image is actually saying and not what the so-called experts interpret it to be saying has played a major part in my work on The Secret Sun. It's also been a major part of the Stairway to Sirius series, which seeks to strip away centuries of mystical and metaphorical detritus that has accumulated on powerful sacred icons from the past and struggle to parse what the original intention behind these images might have been before the poets and the priests came along and muddied the waters.
The problem with all of these poetic interpretations is that over time they often calcify into a new- and profoundly stupid and destructive- kind of literalism. This is a process that the elites pour a considerable amount of time and resources into, in order to keep those waters muddy.
Now, I've received no small amount of flack from Freemasons for trying to parse the original intent behind some of their sacred symbols, but as I wrote in "Bringing it All Back Home," the real reasons these symbols may have been shrouded in secrecy by esoteric orders all those centuries ago is that humanity wasn't ready to even understand what the symbols are actually saying.
Which brings us to Hanuman, who's been making himself known because of Obama's highly publicized trip to India, in which he took part in Diwali festivals. Hanuman is a central figure in this high holy day, in that he was a crucial figure in the return of Lord Rama, who flew in his vimana (read: spaceship) and was helped home by his adoring followers who held lights up to guide his way.
Those who've seen the Ancient Aliens series on the History Channel will recognize the Vimanas, which vary according to artistic style, but are believed by many researchers to be an advanced form of aircraft flown by the "gods," who in fact are some form of alien or superhuman beings.
Now, Hinduism is a richly embroidered belief system- or systems, rather- but even so we might see vestiges of the original inspiration. Here Hanuman awaits his teacher Surya, the sun god. Surya is much like the Greek Helios or the Roman Sol, with his chariot and flying horses. One of the gifts that Hanuman receives from his patron gods is that of flight. Look at that dome atop his chariot. Remind you of anything?
As I've often wondered, is the sun god actually not our Sol, but that of an alien sun? Note that for all intents and purposes Surya is the same word as Sirius. If Hanuman an embodiment of Human-ity, that would square with esoteric beliefs that beings from Sirius came to Earth to engineer a new race of beings from protohominid primates.
There it is again. Note also that Surya, like many of these warrior gods, is depicted as being highly androgynous, something we see in Egyptian art as well. And there's that blue skin, which played such a major role in the Stairway blowout a year ago.
And here we see Hanuman praying to Rama, also androgynous and equipped with his apocalyptic weaponry which seem to predate nuclear weapons by thousands of years. And there's that dome again. You know what these domes keep reminding me of?
Need you ask?
Then there are the icons of the infant Hanuman with his mother, who is conspicuously non-apelike. They're also highly reminiscent of another mother-son icon....
That of Isis-Sirius and the young Harpocrates, who is born from the Earth Mother's magic and the DNA of his heavenly father who returns to the stars along with Ra, the god of the Green Sun. The parallelisms don't end there- as Secret Sun readers know, they never end.
Here is an altar to Hanuman. Look familiar? If not, you might be on the wrong blog. As I've argued in the Stairway to Sirius series, what we think of as Masonic iconography is actually something much, much older and it's true meaning is completely, um, alien to the Freemasons themselves.
Look at the checkerboard, the two columns, the tiered centerpiece on the altar...
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