Wednesday, October 06, 2010

Talk Show(s)

It's very early in the process but it's been a very positive and constructive process promoting The Secret History of Rock 'n' Roll. The early adopters I've spoken with are tuned into the same wavelength, which make it all the more rewarding. That's subject to change, but I'm very proud of the interviews I've done so far and consider them all to be part of the overall Secret Sun canon. There are two blogger-views and two podcasts here, submitted for your approval.

As you point out in the book, making the connection (whether metaphorical or literal) between rock-n-roll with paganism and mystery religions isn’t new; some writers, like Bill Brewster and Frank Broughton, even postulated that the modern DJ is like the shaman of some ancient tribal societies. What led you down the path of making this connection? Was there a particular inspiration?

Living it. I got involved with the Boston hardcore punk scene in the early 80s and it was every bit a mystery cult. It was a secret society of outcasts who had their own very specific initiations, language and symbol system. In the book I liken hardcore to the violent Mithraic cults of the Imperial Roman era, which had a very absolutist view of the world. And seeing a lot of bands from that era who had a very powerful shamanic aura about them- the Clash and the Bad Brains both come to mind. Both bands drew inspiration from Reggae and an esoteric variety of Apocalyptic spirituality- as well as from hallucinogens. Marijuana, in this case.

Read the rest at The Wild Hunt here (or try this)

Next up is a talk with John at Theofantastique. This was about giving some equal time to Our Gods Wear Spandex. Again, another positive interview experience going on here:

TheoFantastique: I recently read a piece online which discussed the impact of H. P. Lovecraft on comics. You discuss his literary work, and that he was a self-professed atheist, but you mention that some question whether he had esoteric interests and connections given the cosmology and mythology he constructed. What types of esoteric influences have some attributed to Lovecraft, and regardless of his metaphysical views, how do you see him as an influence on contemporary comics?

Christopher Knowles: Well, a lot of the discussions of Lovecraft’s immersion in the occult have been from occult partisans. Kenneth Grant, who was head of the Ordo Templi Orientis, comes to mind here. Lovecraft was obviously aware of the occult since it was very much part of the pulp milieu- the counterculture of its time. I think he may have read some occult texts — maybe some Theosophical or Rosicrucian material — since he was a voracious reader and was looking out for story material. But Lovecraft to me was a guy who was very much in touch with an aspect of the unconscious mind that nightmares dwell in, night terrors, hallucinations — things like that.

Read the rest here. You won't be sorry.

And from yesterday- don't forget to check out my interview with Rob McConnell on The X-Zone. The interview is available on iTunes (click here) and The X-Zone podcast pages (click here). Also check out The X-Zone jukebox here. Here's the direct link for the iTunes podcast- click here.

Again, I'm very jazzed about this interview. If you're really tuned into what this blog is about, I think you will be too. And don't forget the Red Ice gabfest either...

Click here for Part 1:

Chris Knowles returns to talk about his new book The Secret History of Rock 'n' Roll -The Mysterious Roots of Modern Music that is connecting the modern Rock 'n' Roll phenomena to the ancient world, the ancient gods and the mystery cults. We talk about the emergence of Rock 'n' Roll, the genres, the state of the ancient world, Rome, religion, revolution, culture, counter culture, creativity, the Muse and the archetypal forces that are influencing musicians, even if they are aware of it or not....